Speaker or Narrator, and Point of View
Third-person subjective point of view
Form and Meter
Iambic meter
Metaphors and Similes
The simile is in the line, ‘More like a little frightened fay’ in the poem ‘The Farmer’s Bride.’
Alliteration and Assonance
Alliteration is in line ‘I shall miss the sycamore more, I suppose’ in the poem ‘From a Window.
Irony
The main irony is when Madeleine questions the church instead of pursuing self-reflection in the poem 'Madeleine in Church.'
Genre
Narrative poem
Setting
The setting is ambiguous and written in the context of romance
Tone
Romantic, fascinating, and reflective
Protagonist and Antagonist
The protagonist is Madeleine.
Major Conflict
In the poem 'A Quoi Bon Dire,' there is a conflict is between the speaker and the person's memory being addressed
Climax
The climax is in the poem 'June 1915', where spring brings melancholic contemplative to the speaker.
Foreshadowing
The experience in Paris rooms foreshadows the speaker's memories and allusions to a slow death.
Understatement
The influence of companionship in the poem ‘I So Liked Spring’ is understated.
Allusions
The poem ‘The Farmer’s Bride’ alludes to human love.
Metonymy and Synecdoche
N/A
Personification
The rat is incarnated in the poem 'The Trees Are Down.'
Hyperbole
N/A
Onomatopoeia
Onomatopoeia is in the line ‘With the 'Whoops' and the 'Whoa,' the loud common talk’ in the poem ‘The Trees Are Down.’
