Speaker or Narrator, and Point of View
The speaker is unspecified; the only personal pronoun that appears in this poem is "we." The speaker seems to be a population of one area, perhaps at one specific time.
Form and Meter
The poem is split into seven stanzas with four lines each. It has no regular meter, nor does it follow a specific poetic form.
Metaphors and Similes
Metaphors
"They've taken the skeleton
Of the Great Irish Elk
Out of the peat, set it up
An astounding crate full of air."
"The ground itself is kind, black butter"
Similes
"Only the waterlogged trunks
Of great firs, soft as pulp."
Alliteration and Assonance
Assonance
Everywhere the eye concedes to
Encroaching horizon,
Alliteration
The ground itself is kind, black butter
Melting and opening underfoot,
Missing its last definition
By millions of years.
Irony
Genre
Poetry
Setting
This poem takes place in the Irish peat bogs.
Tone
The tone of this poem is quietly mournful. The speaker appears to search for meaning within the Irish peat bogs.
Protagonist and Antagonist
The poem has no clear protagonist nor antagonist.
Major Conflict
The conflict in this poem is between those who dig and what they find. The landscape seems inlaid with failure. The pioneers dig deeper into the bogs, continuing a long lineage of people who have done so, but what they dig into "is bottomless."
Climax
The poem does not have a clear climax. Instead it descends, moving farther into the peat bogs that it describes.
Foreshadowing
Understatement
Allusions
Metonymy and Synecdoche
Personification
"The ground itself is kind, black butter"