Billy Elliot

Billy Elliot Literary Elements

Director

Stephen Daldry

Leading Actors/Actresses

Jamie Bell, Julie Walters

Supporting Actors/Actresses

Jamie Draven, Gary Lewis, Adam Cooper

Genre

Drama

Language

English

Awards

Nominated for three Academy Awards: Best Original Screenplay, Best Director, Best Supporting Actress

Date of Release

September 29th 2000

Producer

Greg Brenman, Jon Finn

Setting and Context

Northern England, 1980s, against a background of social unrest and miners' strikes

Narrator and Point of View

No narrator, but perspective is usually that of Billy Elliot.

Tone and Mood

Gritty, irreverent, comic, dramatic.

Protagonist and Antagonist

Billy is the protagonist, his father and brother are the antagonists.

Major Conflict

The main conflict of the film is that Billy wants to be a ballet dancer, but this is a socially unacceptable ambition for a young boy, so he must hide it from his community lest they disapprove. Once Billy's father and brother learn to accept his passion, the conflict becomes whether or not Billy will gain acceptance to ballet school.

Climax

The climax is when Billy auditions for the ballet school and answers the question about what it feels like to dance.

Foreshadowing

Tony's bullying ways at home and on the picket line foreshadow his arrest and the altercation that occurs there. Michael's crossdressing foreshadows his coming out as gay.

Understatement

Innovations in Filming or Lighting or Camera Techniques

Allusions

The film alludes to the political unrest in the north of England at the time in which it is set. Other allusions include Swan Lake and the band T. Rex.

Paradox

At first, Jackie would do anything to prevent Billy from dancing, but when he realizes his talent and his passion, he completely changes his tune and does anything he can to enable him to attend the audition, even putting himself in harm's way by crossing a picket line. Jackie's support and disapproval are at odds in the film, and constitute a kind of narrative paradox.

Parallelism

Michael and Billy are parallels for one another. While Billy wants to become a ballet dancer, a traditionally effeminate pastime that many believe is an indication of homosexuality, Michael is the one who is actually gay, even though no one suspects it.

Buy Study Guide Cite this page