Big Fish (Film)

Big Fish (Film) Literary Elements

Director

Tim Burton

Leading Actors/Actresses

Albert Finney, Billy Crudup

Supporting Actors/Actresses

Jessica Lange, Ewan McGregor, Danny DeVito, Marion Cotillard

Genre

Fantasy, Adventure, Drama

Language

English

Awards

Academy Award nomination for Best Score

Date of Release

2004

Producer

Bruce Cohen, Richard D. Zanuck, Dan Jinks

Setting and Context

Ashton, Alabama, present day and over the course of Edward's life

Narrator and Point of View

Narrator is mostly Edward

Tone and Mood

Adventurous, fantastical, dramatic, heartwarming

Protagonist and Antagonist

Will and Edward alternate being protagonists and antagonists in one another's story.

Major Conflict

A father, Edward, and son, Will, have been estranged for three years because Will doesn't like his father's tendency to stretch the truth. Now, his father is dying and he must make amends in spite of their major differences.

Climax

Will and his father are reconciled when Will finds that he is able to tell stories the same way as his father did, and he tells the story of his father's transformation into a fish.

Foreshadowing

Don's death is foreshadowed by a literal prophetic vision. Edward's turning into a fish in Will's story is foreshadowed by the shots of the catfish in the beginning of the film.

Understatement

Innovations in Filming or Lighting or Camera Techniques

Allusions

Edward alludes to the traditional legends of werewolves when he casts Amos Calloway as a werewolf in his tales. There are also allusions to giants and witches, as well as other fairy tale creatures.

Paradox

Will tells Edward to be himself, but as Edward attests, he has only ever been himself. The problem is that Will will not accept him.

Parallelism

There is a parallel between Edward as a father and Will as a father, as Will carries on in telling the stories that his father told him.

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