Speaker or Narrator, and Point of View
The speaker is a stand-in for Dickinson, who does not appear directly in the text.
Form and Meter
The poem is made up of alternating lines of iambic trimeter and tetrameter. The rhyme scheme of the poem is ABCB, but some of the rhymes are slant.
Metaphors and Similes
The poem uses the passing of days and seasons to show how time elapses without notice, but still creates a sense of loss. The central metaphor is about the end of summer. The end of summer is used as an extended metaphor for the passing of time.
Alliteration and Assonance
Alliteration is present in the D sounds in the line "The Dusk drew earlier in —" and the W sounds in the line "And thus, without a Wing." Assonance is present in the long O sounds of the line "The Morning foreign shone —"
Irony
N/A
Genre
Nature poetry
Setting
Setting is unclear, although given the clarity with which the speaker is observing time in nature, it is reasonable to assume the setting is somewhat rural.
Tone
The tone is wistful and melancholy.
Protagonist and Antagonist
The protagonist of the poem is summer, the antagonist is the passage of time.
Major Conflict
The main conflict stems from the speaker's desire to hold onto to summer as it ends.
Climax
The climax of the poem occurs at the end, when summer makes its abstract leap out of time.
Foreshadowing
The initial reference to grief foreshadows the way the speaker will feel about summer's end later in the poem.
Understatement
N/A
Allusions
Keel is a reference to a structural element of a boat.
Metonymy and Synecdoche
N/A
Personification
Summer is personified as a beloved guest.
Hyperbole
N/A
Onomatopoeia
N/A