1 How many different kinds of pain are listed in this poem? 4 5 3 2 2 What kind of literary element is "fouled tunes" (line 4)? metaphor simile allegory comparison 3 What does "wretched" most likely mean in the context of line 6? promiscuous physically appealing lovely and beautiful foul, disgusting 4 What does Baraka mean by "without shadow, or voice, or meaning" when referring to the "hard flesh" that he touches in Stanza II? He is interacting with their flesh but has no contact with their souls They are monsters They are actually robots They are dead bodies 5 What traps the speaker of the poem? A factory that he cannot escape His own flesh, which is made into an object by society He is being held captive by a horde of men The confines of jail 6 What is the first kind of pain listed in this poem ("As now, as all his / flesh hurts me")? having a skin condition that makes skin-to-skin contact painful jumping into a vat of acid being touched with someone that has very rough hands the torture of being stuck inside your body that is not a part of who you actually are 7 What is the second kind of pain given in this poem ("As when she ran from me into / that forest")? not being able to run pain of abandonment and loss of love worry that she will be eaten by monsters in the forest pain of the unknown 8 What goes "higher than even old men thought / God would be" (Stanza V)? the devil a helicopter a bird the mind 9 Who turns out to be a "self, after all" (Stanza VI)? God the "lost soul" the speaker the devil 10 What kind of literary element is "whithered yellow flowers" in Stanza V? metaphor hyperbole metonymy simile 11 How is beauty practiced in Stanza V? through the separation between soul and body through poetry through pain through nature, like trees and a river 12 What does the speaker *actually* live inside? his body his home New York City human love 13 What can the speaker be recognized as? where he lives his height and weight his facial features words and emotion 14 What has no feeling in Stanza VIII? the soul metal the body words 15 What is left screaming by the end of the poem? everyone the "lost soul" the speaker's lover the soul that is trapped inside of its body 16 Based on textual evidence, who could be the "lost soul" the speaker refers to in Stanza V? Jack Kerouac white people Baraka's first wife, Hattie Jones the person the speaker abandoned in a past life 17 What kind of literary element is "blind" (Stanza V)? metaphor onomatopoeia simile hyperbole 18 What kind of literary device is used in "silver, spiraled, whirled" (Stanza V)? metonymy assonance alliteration onomatopoeia 19 What does "corrupt" most likely mean in the context of line 35? together complete debased/depraved healthy 20 What is the closest definition of "gale" in the context of Stanza VI? a courtyard a forest a type of bridge a windy place 21 What kind of associations come up with the actions of "the cold men in their gale" in Stanza VI? harmony, unity, peace ritual, conformity, collectivity fear, death, destruction religion, sacredness, awe 22 In other words, what do the speaker's enemies do to him in Stanza III? carry him in a ritualistic procession as if preparing him for sacrifice offer him the tools necessary to have a successful life make him read lots of books and expand his mind kill him 23 Why does the speaker call flesh "an abstraction" is Stanza III? bodies are very beautiful and often the skin looks like a work of art someone's flesh is often obstructed by clothing any perception of the body is influenced by societal conventions his flesh has been cut up and deformed through torture 24 What "glows as the day with its sun" (Stanza VII)? flesh, symbolized by metal that is so hot it becomes white God the gale that the cold men are living in the sky 25 Why might have Baraka chosen to repeat "the yes" the times in Stanzas V-VI? because it sounds cool it creates a repetition of rhythm and speeds up the meter towards the climax of the poem; also helps the poem sound more musical to really emphasize what he is referring to to bring up different kinds of "yes"