All for Love John Dryden

All for Love; or, the World Well Lost, is a 1677 heroic drama by John Dryden which is now his best-known and most performed play. It is dedicated to Earl of Danby. It is a tragedy written in blank verse and is an attempt on Dryden's part to reinvigorate serious drama. It is an acknowledged imitation of Shakespeare’s Antony and Cleopatra, and focuses on the last hours of the lives of its hero and heroine.[1]

Although it ostensibly deals with the same topic as Shakespeare's Antony and Cleopatra, Dryden confines the action to Alexandria and focuses on the end of their doomed relationship. It first appeared in 1677, was revived in 1704 and performed 123 times between 1700 and 1800, becoming the preferred version of the story; Shakespeare's play did not reappear on the London stage until 1813.[2]

The original 1677 production by the King's Company starred Charles Hart as Marc Antony and Elizabeth Boutell as Cleopatra, with Michael Mohun as Ventidius and Katherine Corey as Octavia.[3] The play was revived at Lincoln's Inn Fields in February 1704, with Betterton as Antony, Mrs. Barry as Cleopatra, Wilks as Dolabella, and Mrs. Bracegirdle as Octavia; at Drury Lane in December 1718, with Booth as Antony, Mrs. Oldfield as Cleopatra, and Mrs. Porter as Octavia.

Act One

Serapion describes foreboding omens (of storms, whirlwinds, and the flooding of the Nile) of Egypt's impending doom. Alexas, Cleopatra's eunuch, dismisses Serapion's claims and is more concerned with Cleopatra's relationship with Antony. He sees that Cleopatra dotes on Antony and worries that Antony will not continue seeing Cleopatra. Thus, Serapion hosts a festival to celebrate Antony's honour.

Ventidius, a Roman general, comes to aide Antony in Alexandria. Ventidius disagrees with Antony's relationship with Cleopatra and offers to give Antony troops if he leaves her. Although Antony is insulted by Ventidius's opinions regarding Cleopatra (and refuses to hear anything negative about her), Antony agrees.

Act Two

Cleopatra mourns about her situation without Antony. Charmion, Cleopatra's lady in waiting, attempts to set up a meeting between Cleopatra and Antony, but she is unsuccessful. Cleopatra thus sends Alexas to try to win back Antony using gifts (jewels including a bracelet). Alexas suggests that Cleopatra should tie the bracelet onto Antony's wrist. In the subsequent meeting between Cleopatra and Antony, Ventidius appears and tries to proclaim how Cleopatra is not Antony's rightful partner and would betray him for her own safety. However, Cleopatra wins this argument by demonstrating a letter showing that she refused Egypt and Syria from Octavius. Antony is overjoyed by Cleopatra's decision and proclaims his love for her.

Act Three

Antony is returning from battle and is overwhelmed with love for Cleopatra. Ventidius comes to speak with Antony, who attempts to flee unsuccessfully. Antony does not want to go back to war but does not know how to stop it. He believes Dolabella can help him and Ventidius brings Dolabella out. Dolabella, Antony's friend, appears after Antony's success in battle. Dolabella was banished for his love for Cleopatra, but he returns to a warm welcome from Antony. Dolabella offers a gift that will bring peace between Antony and Caesar. The gift is Octavia, Antony's true wife and Caesar's sister, and Antony's two daughters. Octavia tells Antony the war will stop when he returns to his rightful place, by her side. Antony and Octavia reunite, and Alexas's attempts to meddle for the sake of Cleopatra are dismissed. Cleopatra appears informed of her defeat. Alexas tells her to avoid Octavia but Cleopatra chooses to face her as a rival. Cleopatra and Octavia have an argument, it seems clear that Octavia is whom Antony rightfully belongs to, even if it is not she whom he loves most!

Act Four

Antony has been convinced by Octavia that his rightful place is by her side, in Rome, with his children. Antony plans to leave but does not have the strength to tell Cleopatra himself. Antony asks Dolabella to tell Cleopatra he is leaving so that Antony will not be persuaded to stay. Ventidius overhears that Dolabella will be going to Cleopatra to bid her farewell. He also sees her devising a plan with Alexas to inspire jealousy in Antony by way of Dolabella. Ventidius and Octavia see Dolabella taking Cleopatra's hand, but when the time comes to make a move romantically, both of them fall apart from the guilt of their betrayal. Ventidius tells Antony that Cleopatra and Dollabella have become lovers and Octavia also bears witness. Ventidius then asks Alexas to testify to the same story, which Alexas believes to be. Antony is infuriated by this information, but is still looking for some loophole that would confirm Cleopatra's innocence. Antony's belief in Cleopatra's innocence hurts Octavia and she leaves permanently. When Dolabella and Cleopatra try to explain themselves Antony refuses to believe them.

Act Five

Antony takes Cleopatra's naval fleet and attacks Caesar. The fleet he leads betrays him as his soldiers greet their opponents like old friends. Together, they turn to attack Alexandria. When Cleopatra hears of this Alexas tells her to flee and that he will attempt to make amends with Caesar. Cleopatra tells him this would make him a traitor and that he cannot go to Caesar. Cleopatra flees and Alexas is left behind. Antony and Ventidius meet up and prepare to fight. Alexas, in order to save his own life, concocts a lie, telling Antony that Cleopatra is dead. Antony then tells Ventidius to end his life, but Ventidius refuses and kills himself. With Ventidius dead, Antony then tries and fails to commit suicide. Cleopatra then comes in and sees Antony, still living, but on the verge of death. Antony dies. Cleopatra then kills herself, as do her ladies-in-waiting, all by the biting of snakes. Serapion delivers their eulogy as the remaining characters await the appearance of the victorious Caesar Augustus.

1. ^ Dryden, John. All for Love. London:Nick Hern Books Limited, 1998.
2. ^ Caldwell, Tanya (Fall 2004). "Meanings of "All for Love", 1677-1813". Comparative Drama. 38 (2/3): 185. doi:10.1353/cdr.2004.0037. JSTOR 41154228. S2CID 191465504.
3. ^ John Downes, Roscius Anglicanus, London, 1708; Montague Summers, ed., London, Fortune Press [no date]; reprinted New York, Benjamin Blom, 1963; p. 11.

• Caldwell, Tanya (Fall 2004). "Meanings of "All for Love", 1677-1813". Comparative Drama. 38 (2/3): 183–211. doi:10.1353/cdr.2004.0037. S2CID 191465504.;

• The full text of All for Love at Wikisource
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• All for Love (play) at Project Gutenberg
• All for Love public domain audiobook at LibriVox
• Great Books Online