A Streetcar Named Desire Tennessee Williams

Any time a play or a novel is adapted into a film portrayal of the text, critics will evaluate the film either in a positive or a negative manner. It is necessary to understand the freedoms a director has, and understand that an adaptation allows...

Power is the underlying current that runs through both Webster’s ‘The Duchess of Malfi’, a 17th century revenge tragedy, and Williams’ ‘A Streetcar Named Desire’, a 20th Century modern domestic tragedy. Both plays offer stark representations of...

When looking at A Streetcar Named Desire – a tragedy, after all – it is traditionally required that there should be a selected antagonist, a ‘villain’ so to speak. Stanley Kowalski, you could argue, is that ‘villain’. It is evident that throughout...

This essay will look at both the polarity and unity within the mental suffering of characters and voices from Tennessee William’s A Streetcar Named Desire (‘Streetcar’) and Sylvia Plath’s Collected Poems, focusing specifically on the extent to...

By the time she speaks her famous closing line about depending on the kindness of strangers, it has become apparent that the ability of Blanche DuBois to survive in a world of men—and not just animalistic throwbacks like Stanley Kowalski, either,...

The opening of a play is naturally one of its most important parts, serving as an introduction to its setting, characters and themes; the best openings also encapsulate both the intentions and style of the playwright. In A Streetcar Named Desire,...

The struggle of the outsider is facilitated by their isolation and their inability to form significant bonds with others in their community. Whilst outsiders have the capacity to challenge their respective communities, their struggles inevitably...

In most novels, the issue of passionate desire is examined and experimented as characters undergo various stages in their lives – either as the feverish seducer or the object of desire. The Prime of Miss Jean Brodie (1961), The Streetcar Named...

Loneliness and isolation are themes explored in various differing ways throughout Tennessee William’s play ‘A Streetcar Named Desire’ (1947) and Colm Toibin’s novel ‘Brooklyn’ (2009), mainly through the way their protagonists are presented and...

Stanley Kowalski stumbles home drunkenly to his upstairs apartment. He sees his pregnant and glowing wife Stella preparing him dinner. Without explanation, he feels an uncontrollable rage of emotions. Stella is confused and frightened. Stanley...

Expressionism was key in many of Williams’s plays – so much so that it was he who came up with the term ‘Plastic Theatre’. Throughout his plays, and particularly in A Streetcar Named Desire, Williams uses expressionism to show emotions or themes...

The theme of contrast is key to A Streetcar Named Desire as it is so obviously displayed in every aspect of the play. Most importantly, Blanche is in a stark contrast with Stanley – a contrast which ends up being very problematic – and there is...

Both Harold Pinter and Tennessee Williams depict vivid and intimidating oppositions in their characters Stanley Kowalski and Goldberg and McCann. The oppositions in both A Streetcar Named Desire and The Birthday Party strive to assert their power...

In both Tennessee Williams’ A Streetcar named Desire and Sylvia Plath’s Ariel, there is extensive concern for how masculinity and femininity are portrayed. Both texts present archetypical interpretations of gender as well as juxtaposing figures...

In Webster’s Jacobean revenge tragedy The Duchess of Malfi, and Williams’ A Streetcar Named Desire, written in 1947, both men consider the themes of chastity and the effect chastity has on the main female characters’ reputation within society....

The postmodernist writers emerged after the Second World War, and their fierce critiques of human nature showed a race that was vile and heinous at best, with Tennessee Williams’s depiction being no different. In his play A Streetcar Named Desire,...

The climax of Tennessee William’s A Streetcar Named Desire occurs in “Scene Ten,” when Stanley ultimately rapes Blanche, his sister-in-law. Many audiences and readers have debated whether or not this act was premeditated or done impulsively, as to...

Composers creatively explore the intangible nature of the American identity reflecting the flawed values of American exceptionalism and capitalism. Tennessee Williams’ symbolist play, A Streetcar Named Desire, 1947, inspects the destabilisation of...

Throughout A Streetcar Named Desire, Blanche is caught between the contradictions of her own character and the society surrounding her. She persistently fights to conceal the truth of her personality and past, failing to comprehend the changing...

Tennessee Williams’s play, A Streetcar Named Desire, illustrates the struggle of power between economic classes and the changes taking place in America at that time, regarding social status. The constant tension between Blanche and Stanley...

In reading through the plays of Tennessee Williams, one may notice the “predominance of sex” as a theme throughout many different works, and more specifically, the theme of sexual rejection (Reid 431). In the interconnected systems of ethics...

An extremely specific author, Tennessee Williams is known for his elaborate and in-depth descriptions of sets, costumes, sound, and general staging, often appearing to have the last detail written out in his seemingly endless supply of stage...

In A Streetcar Named Desire, Williams presents desire as an overwhelmingly destructive and negative force. All of the characters grapple with their desires: both Blanche and Mitch desire companionship, Stella desires to upkeep her life with...

To a great extent, Williams presents a clash between two cultures rather than one between two individuals. Witnessed in the play is the struggle between ‘Old Southern’ culture, whose values are embodied by protagonist Blanche Dubois and the new...