Act I (Loman Home, Present Day):
At thirty-four, Biff is well-built but somewhat worn and not very self-assured. Happy, two years younger than his brother, is tall and powerfully made. He is a visibly sexual person. Both boys are somewhat lost, Happy because he has never risked defeat. The two brothers discuss their father. Happy thinks that Willy's license will be taken away, and Biff suggests that his father's eyes are going.
Happy thinks that it's funny that they are sleeping at home again, and they discuss Happy's "first time" with a girl named Betsy. Happy says that he was once very bashful with women, but as he became more confident Biff became less so. Biff wonders why his father mocks him so much, but Happy says that he wants Biff to make good. Biff tells Happy that he has had twenty or thirty different types of jobs since he left home before the war, and everything turns out the same. He reminisces about herding cattle in Nebraska and the Dakotas. But he criticizes himself for playing around with horses for twenty-eight dollars a week at his advanced age. Happy says that Biff is a poet and an idealist, but Biff says that he's mixed up and should get married.
When Biff asks Happy if he is content, Happy defiantly says that he is not. He says that he has his own apartment, a car, and plenty of woman, but is still lonely. Biff suggests that Happy come out west with him to buy a ranch. Happy claims that he dreams about ripping off his clothes in the store and boxing with his manager, for he can "outbox, outrun, and outlift anybody in that store," yet he has to take orders from them.
Happy says that the women they went on a date with that night were gorgeous, but he gets disgusted with women: he keeps "knockin' them over" but it doesn't mean anything. Happy says that he wants someone with character, like his mother. Biff says that he thinks he may work for Bill Oliver, whom he worked for earlier in life. Biff worries that Bill will remember that he stole a carton of basketballs, and remembers that he quit because Bill was going to fire him.
Analysis:
Biff and Happy are both trapped in a perpetual adolescence. Both men are tall and well-built, but their emotional development does not mirror their physical appearance. Happy reminisces about his first sexual experience, while Biff handles a football, a sign of his childhood. The setting of the segment, the boys' childhood bedroom, also suggests that they are trapped in their past. Even the names of the two men, Happy and Biff, are childlike nicknames inappropriate for mature adults.
Biff, in particular, is a drifter who demonstrates little sense of maturity or responsibility. He moves from job to job without any particular plan, and is most content working jobs that use his physicality but do not offer any hope for a stable future. Biff is self-destructive, ruining every job opportunity that he might have, and realizes his own failure. He is aware that he is a disappointment and an embarrassment to his father, who holds great aspirations for his son. Biff feels that he is just a boy and must take steps to demonstrate a shift into the maturity of adulthood.
Happy, in contrast, is less self-aware than his brother, yet is equally confused and is similarly immature. Happy has the ostensible characteristics of adulthood including a steady profession, yet his attitude is that of a teenager. He is a manipulative womanizer who manifests little respect for the women he seduces; his euphemism for seduction, "knockin' them over," suggests at best an impersonal connection and at worst a violent subtext. Happy clearly demonstrates aspects of a Madonna-whore complex; he cannot respect women with whom he has sex, believing them to be inauthentic, and instead wishes to have as a partner a person who has "character" such as his mother. This suggests that Happy cannot respect a woman whom he successfully seduces.
Happy's immaturity is perhaps even more apparent in this segment of the play, for his adolescent qualities starkly contrast with his adult lifestyle. Although he has a respectable job, Happy compares himself to his co-workers in terms of physical accomplishment; he believes he should not have to take orders from men over whom he is athletically superior. He thus approaches the workplace with a school-yard mentality, believing that physical strength is more important than intellectual development.
Miller contrasts the ideas that the two men have with regards to success, the major thematic concern of the play. Biff believes himself to be a failure because he does not display the trappings of adulthood, such as a steady occupation and a stable home life, and because he has made mistakes in his life. Happy, in contrast, believes himself to be a failure because although he is ostensibly more successful than his brother, he still feels empty and unfulfilled.
