the illustrated man

I think it is simply the lure of storytelling that excites the narrator. The tattoos are a meta-fictive gadget - that is, something about crafted by fiction that points out its creation as a work of fiction. The possibility of narrating as having power - that is, the impact of innovativeness on a man's life - is normal. Bradbury makes it a risky undertaking, be that as it may, and there is a touch of Nietzschean self-satisfaction in the tattoos. That is, one looks into the chasm of the Illustrated Man's skin, yet that void looks additionally, demanding a cost on the watcher. Along these lines, a related subject is the threat of the creative ability.